Scarecrow portraits from Biriwa

June 17, 2013 11:31 am Scarecrow, Biriwa

Ghana’s tourists and tourism promoters make a big deal of beaches. So the plastic crap that the Atlantic washes up can too easily become a reason to stay home, or stay in the hotel. What’s the point of going out there if they can’t keep the beaches clean?

There was plastic crap on the beach at Biriwa. Water sachets, shopping bags and soda bottles. Enough to be a shame but not enough to drive us away. We played with the kids for a while, then took Mate’s Eldest on a short walk into the bush.

The footpath led down a small valley, skirting a lagoon lined with mangroves. When it forked we took a right and waded through shallow, muddy water that only got deeper. We retraced our steps, tried a left and pushed through high grass into an agricultural clearing beneath two huge royal palms.

A red bishop showed up in the bushes. Eldest couldn’t see it, so we lingered and helped him with the binoculars. He got it. Got excited. Ordered us to take photos. The red bishop tolerated us creeping closer, because he wanted to watch us too.

The only sounds came from us, the bird and the palms: whisper, whistle, rustle. It was quiet. Green. The late afternoon light was soft. There was no litter – just old bags and second-hand clothes fixed up to guard the crops, and blowing gently in the breeze.

UntitledUntitledUntitledUntitled

Santoku, Dzorwulu – restaurant review

May 26, 2013 11:02 am Restaurant review

Accra is rising. Literally. Roll around the wealthier parts of town and you’ll notice the spread of high-rise, high-density luxury accommodation, a category whose arrival is fairly recent. Hitherto the rich would buy a plot – if they didn’t already own one – then build a wall around it and erect something between a bungalow and a mansion, depending on the exact size of their wad. Real high-density was for the poor, and luxury apartments came in relatively small packages.

That worked pretty well while a very small number of people were rich, but now demand for Aspirational Living is thought to be rising, and there is little space left to meet it south of Nkrumah motorway’s psychological boundary. These days much of the private plot and McMansion action is happening just north of there, around East Legon and in the Trasacco Valley development. Though they offer plenty of space – for now – the trade-off is a horrible journey into the city.

Closer in, developers are banking on an explosion of young professionals to maximise returns on the few plots available. Their targets are affluent, but still childless. Single, even. They’re keen on like-minded company, lifestyle add-ons and a central location, and they are far less hung up on space.

What does any of this have to do with Santoku? It is on the ground floor of one of the most prominent examples. The Villagio Vista consists of three blocks designed to reference both Kente cloth and the Ghanaian flag, clad respectively in tonal variations of red, yellow and green. Propping up the red tower – the only one so far completed – is this little outpost of global wealth dining, complete with links to Nobu. A lifestyle add-on indeed.

It is all incredibly slick. The welcome, the decor, even the futuristic linen tunics they’ve put on the staff. Music and lighting are inconspicuously tasteful. Bartenders are of course called ‘mixologists’, and mixologise tangentially Asian twists on the classics.

Nevertheless, things get off to a rocky start. Cocktail twists turn out to be the surreal kind: an ‘Asian Collins’ is bourbon-based, and a ‘Pom[egranate]-Fashioned’ rum-based. Those aren’t twists, they’re completely different drinks. The range of Japanese beers, which at time of writing is still advertised on the website, is nowhere to be seen. I can have a Club, a Heineken, or one of their new selection of Belgian brews. Have you ever tried Leffe with Japanese food? Do you want to? No, nor me.

Our first dishes bring an uptick. A compulsive bowl of ‘crispy snapper skin’ tastes like scraps that have got all dolled up for the races. Yes, it is that delicious. A bar snack for the ages.

Next up are Chinese steamed buns reinvented as sliders. It’s cute, but the BBQ pork filling – a rich and sticky mess of shredded meat and skin studded with peanuts – deserves better than a tepid, claggy sandwich. The point of steamed buns is that they arrive sealed, inviting you to tear them apart and release a cloud of fragrant steam. They are fine things. Junkfood form factors have nothing to teach them.

A sashimi dish is brash and imbalanced, relegating raw tuna and salmon to mere textures. Fortunately the overpowering garnishes are pretty good – a deep slick of ginger, garlic and olive oil dressing, and a sprinkling of sesame seeds, green chilli slices and hibiscus flowers. (NB: This was on the ‘Zensai’ menu. We focused on Santoku’s house specials rather than its separate sushi and sashimi menu, so don’t draw any conclusions about the latter. I won’t until I’ve gone back to try it.)

The bounceback is swift, and begins with a pile of crispy squid pieces. Small enough to earn the ‘popcorn’ epithet at less socially ambitious establishments, they come with with a smooth chili and lime dip that offsets the crunch and heat. Pork belly skewers are the opposite: big, brawny cubes that fill the mouth with soft meat and melting fat.

The standout dish is black cod with den miso. It is a cover version, but that does nothing to dent its appeal. The miso creates an infinitely savoury patina over delicate white flesh – bulk it up with some steamed rice and it’s as satisfying a mouthful as you’ll find in Accra.

To close, there is a two-out-of-three chocolate fondant (crunchy outside, gooey innards, disappointingly soggy bottom) with subtle genmai ice cream, which has to be piled on to register over the cacao. A hint of green tea suggests it is genmaicha rather than genmai. Both fondant and ice are lovely, but neither has any appreciable relationship to the other.

We suck up an enormous bill and head out into hot evening air. Everything in the Villagio car park is a 4×4. Scattered lights twinkle in the tower, while the other two blocks gather themselves in the gloom. If you like this kind of thing, the news is good. There is more of it to come.


View Sushi in Accra: Posts and landmarks in a larger map

Finding it: If cabbies don’t recognise the name of Villagio Vista, ask for African Regent hotel, which is directly opposite. In a private vehicle, you need to approach on the southbound carriageway of Liberation, peeling off onto North Airport Road just after the motorway. The alternative is to approach from Airport Residential area, joining North Airport from its western end.

Photos: The Aburi Gardens helicopter

May 27, 2013 5:21 pm Abandoned helicopter, Aburi Botanical Gardens, Ghana

It is, as far as I’m aware, a Westland Whirlwind, and was apparently left by the British. An urban myth says that it was shot down and crashed here, but there is far too little structural damage for that to be the case – it has simply been left to rot, like almost everything else in the gardens. Note the rupture between the tail and body, which are still firmly connected this 2010 photo. Erosion works fast here.

Abandoned helicopter, Aburi Botanical GardensAbandoned helicopter, Aburi Botanical GardensGraffiti - abandoned helicopter, Aburi Botanical GardensDetail - abandoned helicopter, Aburi Botanical GardensDetail - abandoned helicopter, Aburi Botanical GardensThere are a couple more on flickr.

When life hands you weird honey, make marinade

May 22, 2013 3:43 pm Rainforest Honey (Ghana)

Rainforest Honey (Ghana)Look at it. So dark. I doubt that every bottle of Rainforest Honey is as strong and spicy as this one – the stuff they advertise is much lighter, as are other Ghanaian honeys we’ve bought. Season and exact provenance probably make a big difference.

Our working theory is that this batch has a high honeydew content. Ghana has a long dry season, which might force bees to look elsewhere as floral nectar becomes scarce. Another possibility is coffee blossom – there’s plenty of it around and the nectar can yield a darker product. (The flowers also have one of the nicest smells on Earth.)

I’m speculating here. Apiculturists, get in touch.

So here’s what we did with it. We scored a couple of chicken breasts and marinaded them, allowing for each breast one spoon of the honey, one spoon of mustard and a few big dashes of soy. You could use Dijon or wholegrain, but you want to start the chook off on a hot griddle, so bear in mind wholegrain will pop all over the place. Maybe wear goggles.

Once the breasts are getting browned and sticky on either side, put them in the oven on a medium heat until the juices run clear.

I’ve always found honey and mustard on meat a bit Harvester, but here the flavours came out deep and rich rather than sharp and sweet. It completely won me over.

We’ve also found success pouring the stuff into porridge with a handful of raisins, but it doesn’t hold up quite as well on core honey tasks like toast topping and sweetening hot drinks.

Rainforest is available in most supermarkets in Accra. This bottle came from the Osu branch of Koala.

Ghana stars in Overlanding West Africa promo

April 24, 2013 11:38 am Tourism and travel

This was put together by professional filmmaker Jamie Noel when he travelled on Overlanding West Africa’s Freetown-to-Accra tour.

Look out for Kakum, Cape Coast castle and the Larabanga Mosque, among others; there’s also a glimpse of the run-up to the December 2012 elections as a young man proudly shows off his Ghana Peace Campaign t-shirt.

‘Facebook is the internet,’ said no one ever

March 28, 2013 4:05 pm Tech

The Networker, a regular tech column in UK Sunday paper The Observer, waxes concerned:

Most new users of the internet in poor countries will be connecting to it via mobile phones. So, according to an intriguing piece by David Talbot in the MIT Technology Review, “Facebook and Google are … persuading wireless carriers in poor countries to offer customers free or very cheap online access that is limited to stripped-down versions of the web giants’ sites.”

It’s a smart strategy, and it will have one predictable outcome, namely, that many new users of the internet from poor countries will think that Facebook (or Google) is the Internet.

Facebook Zero (one of the ‘stripped-down versions’ mentioned above) is available in Ghana. So is full internet access through standard data packages – and internet cafes, for that matter. I guarantee you that the people using these things know the difference, and I’d be amazed to hear of a ‘poor’ market where that isn’t overwhelmingly the case.

The Talbot piece on Facebook Zero and Google’s Free Zone is still interesting, and well worth a read.

 

Photos: Late afternoon on Busua beach

March 8, 2013 4:14 pm Surfers at Busua beach

Busua isn’t quite my cup of tea, but one of its charms – perhaps because it has been attracting backpackers for so long – is the relative integration of tourist activity with the rest of the town. Guest houses and surf shops are cheek-by-jowl with local homes, and surfers share the beach with fishermen.

At around 5pm the tide is midway between high and low. The waves pick up and the catches come in, prompting a rush of activity in the hour or so before dark. Gifted with neither board nor net, I sat on the terrace of Busua Inn with a beer and took some pictures.

Fishermen and tourists review a catch at Busua beach
Surfers at Busua beach
A catch comes in on Busua beach

Fort Batenstein with Frank the Juice Man

March 7, 2013 4:32 pm Boats in Butre bay, from Fort Batenstein

Fishing boats in Butre bay

More or less everything I know about Fort Batenstein began with Wikipedia*.

Not a promising start, is it? Let’s backtrack. I’m walking down Busua beach with Frank the Juice Man, who is a minor local celebrity. “I am in the book,” he tells me – meaning Bradt** – and indeed he is. He has been recommended by Stephen, a brisk and charming young waiter at Busua Inn, to guide me over the headland to Butre. We’re bound for Fort Batenstein, which is in the book too.

Frank the Juice Man is just as Stephen pitched him: “old, but not too old.” He is Busua born and bred, and has found his niche in the town’s tourism economy by selling blitzed-up fruit from the nearby junction town of Agona. There’s a good market for it among the fit, bushy-tailed westerners who congregate around the Black Star Surf Shop, and that is where we arrange to meet.

Loping along beside me in flip-flops, baggy shorts and an unseasonable tracksuit top, he is a little taciturn. I try teasing him.

“Do you surf, Frank?”

He cracks a big smile. “Nooo. I know it, but only small-small.”

That does the trick, and we chat sporadically about local fishing, the music festival that Busua hosts, the owners of its various lodges and the arrangements for keeping its beach clean. He asks whether there are Africans in London. About the fort he knows only the basics: Dutch, then British, now ruined.

Butre is only half an hour away, but the headland is steep and the mid-morning heat blazing. By the time we arrive I’m hot, and I don’t react well when a man named Francis insists on leading us back the way we came to a jerry-rigged tourist information booth. Frank is suddenly submissive, and no help at all.

Francis wants a five cedi visitor’s fee “for the community.” It looks unofficial, but there is nothing too objectionable about the idea, and with a marked booth in town he at least seems to be accountable. I pay. Francis leads us to the short footpath up to the fort, Frank trailing behind.

I have a go at quizzing our new usurper-guide. It is a bust. He says, “Everything you want to know is on the sign. I will see you when you come down.”

Neither Frank nor Francis shows any inclination to accompany me up to Batenstein, but I see little to be gained from arguing the point. Frank selects a rock in the shade, and I press on. The sign, when I find it, yields a small floor plan and a cursory paragraph on the fort’s history. Dutch. Then British. Now ruined.

If the paucity of information about Batenstein is a disappointment, the views from its upper floor are not. To the east is the mouth of the Butre river, and beyond that the beach pulls away in a long, gentle curve, with a vast expanse of dark green bush behind it.

To the west it looks down on Butre. Together, the large headland and the fort’s smaller promontory seem like an arm stretched around the town, with fishing boats bobbing in the crook.

I discover later that we bombed it. The British attacked Butre in 1873, after the local Ahanta people resisted the transfer of power from the Netherlands to Britain.

I discover, too, that the Ahanta had already rebelled against Dutch rule in 1837, and that the conflict saw local king Badu Bonsu II’s head cut off, taken back to the Netherlands and lost, only to be rediscovered by a historical novelist in 2008.

And I discover that the Dutch had been present in the region since the mid-1600s, their relations with the Ahanta formalised under the Treaty of Butre. One of the oldest documents of its kind between European and African states, it was signed at – you guessed it – Fort Batenstein.

More or less all of that knowledge began with Wikipedia, because neither local guides nor local signage had much to tell me. That is a pity, but in the end I didn’t much mind. I’d scrambled around a ruined fort high above the coast, and spent an hour in conversation with Frank the Juice Man. There are worse ways to spend a morning.

* I refer you to David Whitley on the benefits and proper use of Wikipedia. I’m of the same mind.

** Amazon affiliate link.

Butre beach from Fort BatensteinLooking east from Fort BatensteinButre town from Fort BatensteinChurch in Butre, from Fort Batenstein

 

More Accra modernism: Lasdun’s National Museum

February 27, 2013 10:35 pm National Museum, Accra - upper gallery

Upper gallery at the National Museum, Accra, Ghana

As a building, the National Museum on Barnes Road represents a strange mix of stylistic imposition and local celebration. Commissioned in 1955 in the run-up to independence and opened to mark it in 1957, it was designed by Englishman Denys Lasdun – later Sir, and the man behind London’s brutalist National Theatre.

It is in the tradition of ‘tropical modernism’, grafting features that take into account local climate onto a Western vision of the future. The vertical windows, designed to promote the flow of air, are rooted in the experience of Accra; the crowning aluminium dome, advanced for the time, not so much.

“…the dome was entirely alien to Accra’s architecture and building traditions, as much now as it must have been in the 1950s when the first wave of new modernist structures were being erected in the city. In the context of Accra, therefore, the dome, its location and materials mark out the museum as a separate and special kind of institution, a pantheon of the new nation, but they also distinguish it as both a symbol of modernization and an image without an indigenous history, the preserve of an educated urban elite.” (Mark Crinson, Modern Architecture and the End of Empire, 2003, p. 151)

If you have an eye for it, you’ll find modernism is easy enough to spot in Accra, from disused branches of Ghana Commercial Bank to sets of decorative airbricks just visible on Oxford Street (over the road from Barclays, since you ask). The tough part isn’t finding it, but unpicking its role in the nation’s cultural history.

Modernist chair at the National Museum, Accra, Ghana

 

In the bones: Thoughts on hiking and living abroad

February 7, 2013 1:16 pm Hiking on the Accra plains

Hiking on the Accra plains

Over the last two weeks I’ve been fitfully working on a new website for the Ghana Mountaineers. It’s an interesting project: simple, practical stuff for a tiny community audience, hand-coded from scratch. (No CMS. Long story.)

Since the entire information load reduces to where we go, when we go there and what it’s like when we do, one of the main issues has been how to arrange our list of regular hikes. My final version groups the walks by hill, and then the hills by area. In doing that – and here’s where this post stops being about websites – I realised how much day hikes have helped me get a fix on the shape and structure of the country around Accra.

In a recent interview with Wanderlust, author Alan Whelan rightly contrasts Ghana’s ‘lush’ south and the ‘dry’ north, but all that lushness down here still has considerable variety. For instance, one of the key determinants of a hike is whether we drive northeast or northwest.

If we travel northeast, we come to the hilly country beyond Nsawam, on the edge of the Eastern Region. It begins the day mist-shrouded, resolving to dark green bush that is broken by papaya and maize farms. The climbs are sheer and sweaty, but with plenty of shade.

Nsawam hills just after dawn

If we travel northwest, we come to the grassy plains south of the Volta river, which veers suddenly west between Kpong and Sogakope. Strewn inselbergs – Krobo, Osodoku, a small one we call Alaska – deliver amazing panoramic views with relatively little climbing, but vegetation on the flat is low and sparse. There is little respite from the sun as the morning advances.

These aren’t long drives. Leave early in the morning and Nsawam is some forty-five minutes away, the heart of the plains perhaps an hour. The two can even look similar in places. But they don’t walk the same.

Living abroad frees you, to some extent, from the traveller’s pursuit of novelty. As well as planning big one-off journeys you can repeat humbler ones, and by repeating them build a more detailed model of your environment. Associations pile up. The silence in the plains is often broken by dead palm leaves blowing against bark, a rhythmic rattle that sounds like pebbles on a beach. A flat, lonely landscape in Ghana fuses with one in Britain: I nurse an absurd link between the plains and the Kent coast.

I can’t remember developing so personal a sense of terrain as a tourist, nor on any of my junkets at the old job. It takes too long. After years among the travel industry’s love-at-first-sight platitudes and sights-and-attractions arithmetic, it is a tonic. Physical intimacy over stagey romance. An appreciation in the bones.

Switch to our desktop site